DIGITAL CAMERAS

ARRI ALEXA

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ALEXA is a compact, lightweight and affordable digital camera that will redefine the limits of motion picture capture with ultra-fast workflows and image quality akin to 35mm film. From major motion pictures and high end dramas to commercials, music videos and mainstream TV, ALEXA suits a wide variety of applications and budgets.

More than just a camera, ALEXA represents an entire image pipeline. By combining proprietary ARRI technology with ubiquitous tools from industry-leading partners, ALEXA stands alone as the most complete and powerful digital production system ever built.

SPECS
1-60 fps
800 EI Base Sensitivity
13.5 Stops of Latitude

Electronic Viewfinder
7.7kg's of digital beauty

PHANTOM FLEX

THE WORLD'S MOST FLEXIBLE DIGITAL CINEMA CAMERA

Shoot 5-2570 fps at 1920 x 1080
1200 ISO
HQ Mode for ultimate image quality
Raw digital and/or video workflow solutions

SONY F3

HIGH PERFORMANCE, AT "INDIE" PRICE

Weight 
2.4kg
HD-SDI Dual-link output offers 4:2:2 1080
50/59.94p uncompressed output
Lens Mount
PL lens mount - use almost any 35mm film lens!
Super35 CMOS sensor - shallow depth of field, similar to film cameras
3D-LINK option
3D Cabling enables genlock, timecode in/out, & control line
Simultaneous control of Iris and Focus of 2 cameras

RED MYSTERIUM-X

OBSOLESCENCE - OBSOLETE!

Sensor                                 
14 Megapixel Mysterium-X™
Frame Rates                       
4K: 23.98, 24, 25, 29.97fps
3K, 2K: 50, 59.94fps
Mount                                    
PL-mount
Weight                                  
4.8kgs (body + finder)
Power                                   
12V

SONY EX3

FOR THE EVOLVING HD ERA

The PMW-EX3 follows on from the successful launch of the PMW-EX1.
It offers all the great features of the PMW-EX1 in a new semi-shoulder design.
In addition, it  also features an interchangeable lens system, genlock, timecode and remote control capability for real added flexibility, offering a low-cost HD studio solution.

SONY EX1

A NEW GENERATION OF HD RECORDING

Sensor                                
1/2-inch type Exmor CMOS
Resolution                          
1920 x 1080i mode
Power                                  
12 V
Lens                                     
5.8-81.2mm equivalent to 31.4-439 mm on 35 mm lens

SONY F900R

"FILM LIKE" PROGRESSIVE SCANNING

The HDW-F900R HiDef camera system provides "film like" progressive scanning, with high quality results suited to TV Drama, Commercials and Film Production.
Recording is possible at various frame rates, and utilises the HDCAM format to give up to 50 minutes capacity on a cassette.

CANON 7D

A WHOLE NEW CLASS OF EOS

18.0 Megapixel CMOS Sensor
Advanced Movie Mode
Manual exposure control

Selectable Frame Rates:
Full HD (1920x1080):
30p (29.97), 24p (23,976)/25p
HD (1280x720):
60p (59.94)/50p
SD (640x480):
60p (59.94)/50p

Magnesium Body, with exclusive dust and weather resistance

ARRI D-21

THE FILM-STYLE DIGITAL CAMERA

Format                                 
35mm-format digital film style camera with an optical viewfinder
HD-SDI Connections                                 
2x dual link HD-SDI out
Frame Rates     MODE              SETTING                              CAMERA FPS
HD Mode        HD422 (16:9)                     1 - 60
                         HD444 (16:9)                     1 - 30
Mscope™       Mscope™ HD422 (4:3)    1 - 25
Data Mode      ARRIRAW (16:9)               1 - 30
                         ARRIRAW (4:3)                  1 - 25

Frame rates other than the standard HD video frame rates of 23.976 PsF, 24 PsF, 25 PsF, 29.97 PsF, 30 PsF, 48 PsF, 50 PsF, 59.94 PsF and 60 PsF can be achieved with a recorder that can interpret the Variframe Flag.
All frame rates are crystal controlled and can be set with 0.001 fps precision. Exposure compensated speed ramps are supported by the electronic-mirror shutter.

Weight                                  
8.6kg's (body only, no viewfinder)

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